maya lin

مایا لین معمار و مجسمه ساز چینی الاصل امریکایی را به خاطر طراحی یادمان های بسیار که مشهورترین آن یادمان کشته شدگان جنگ ویتنام است می شناسید. او در عین حال که یک معمار است یک مجسمه ساز و یک هنرمند هنر محیطی نیز هست و در سایت وی نیز کار هایش به سه بخش معماری ، هنری و یادمان تفکیک شده است

از ویژگی های مجسمه های او امکان حضور انسان در میان مجسمه است که فضا و حالتی معماری گونه به آن می دهد

در این اثر با عنوان "لندسکیپ 2 در 4 "بیش از 50 هزار قطعه چوب دو در چهار اینچ به کار رفته است

توپو گرافی هم از نکات جذاب برای مایا لین می باشد در این مجموعه که دریا های بسته نام دارد او از شکل جغرافیایی دریا ها و دریاچه ها به عنوان موضوع مجسمه استفاده کرده است . اثر زیر دریای خزر نام دارد

و درست مانند مجموعه دریا های بسته او در سری جدید کار های خود کوه ها را موضوع کار خود قرار داده است

Shanghai World Expo 2010

Brazil Pavilion for Shanghai World Expo 2010 update

There's only one week left for the grand opening of Shanghai's World Expo 2010, and as you may know, we've been featuring many pavilion's (all the pavilions here). One of the first ones was the Brazilian Pavilion designed by Fernando Brandão Arquitetura e Design.

The competition was for the decoration of a rented pavilion. There were many difficulties due to the rules imposed by the Expo.

So our work was for creating an outer skin to make the Brazilian Pavilion be notice and to reveal a "Brazility", a design that should express our design. Also we had the interior of the shed to play with the visitor's perception of the space.

The "parenthesis" form of the pavilions exterior refers to an open arm, as saying that the Brazil is like it, welcoming all different types of people and cultures.

A green skin, in "parenthesis" form, covers the exterior of the pavilion. This skin will be made by the reuse of wasted wood attached to a steel grid that will support it. This refers to the "Braziliality" of the Brazilian design.

The path inside the pavilion was conceived to surprise the visitor with the technology language that is so known by the Chinese. Inside the pavilion, the first room makes the visitor feel involved by the Brazilian theme, the everyday of a usual Brazilian citizen. Getting inside this room, the visitor is surprised by a surrounding plane. A ¼ of a circumference wall with televisions attached to it and mirrors at both ends of this plane. The mirror reflects the televisions, giving the impression that the wall continues and you fell surrounded by this environment of TVs.

The next room, and the biggest one, let the visitor choose his path, move around and know about Brazil. At the center was placed a squared box, lifted 1.5m from the ground, thus the visitor have to tilt to get in this box. Inside it there are 4 projections one at each side of the box, showing images of different Brazilians cities; and two totems moving around the space between the people showing the types of Brazilians citizens. At the floor the visitor will step in Brazilians' texture of fruits, beans, and the famous sidewalk of Ipanema…

At the outside walls, that delimits this space there are a series of touch screen televisions, with interactive software that allows the visitor to surf through Brazilians topics. One will exhibit the diversity of the Brazilians citizens; other will have the comparison between the moments of the cities history. At the others will have software that will show some topics about some Brazilian cities projects.

Than, the at next room there is a 180° wall with projections about the Brazilian happiness, the festivals, "carnavals", the soccer… and also, some times, it turns in to a movie exhibit.

The last space is the Exit corridor, where there is a line of projections about the Brazilian powerful resources. Passing through the corridor at exit of the pavilion there is a small store, selling some Brazilians hand craft. Also there is a restaurant that will serve traditional Brazilians meal.

Article taken from ArchDaily - http://www.archdaily.com

حجره در تکیه

بازار تجریش
اسفند 88

Milan 2010

Hook by Jean Nouvel

Milan 2010: French architect Jean Nouvel presents an office wall system for Italian brand Methis at Superstudio Più in Zona Tortona.

Called Hook, the system comprises metal strips with hidden joints.

Shelves and containers can be hung from gaps between the strips.

The information below is from Methis:

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Jean Nouvel

“Creating architecture,” affirms Jean Nouvel, “means imbuing personal’s creation, be it a building, a piece of furniture or a garden, with the values of one’s own culture and civilization.” When he designs an object or a piece of furniture, the architect first thinks about functionality and about achieving an “elementary design” that corresponds to the essence of things.

Being part of his time, he uses contemporary techniques that testify to the period to which he belongs. It was true to this philosophy that the hook wall was designed for methis.

With Jean Nouvel’s hook, the partition becomes a continuous wall, while the wall turns into a complete device with infinite potential that can be outfitted with a comprehensive range of accessories all designed to make the contemporary office more comfortable. An efficient, safe and environmentally sustainable building system. The methis values.

DESIGN. A wall formed by a “continuous sort of corrugated skin” that does away with both vertical and horizontal joints

INNOVATION. hook differs from the conventional, passive performance provided by a wall as it can become a highly functional furnishing element for storing, filing, exhibiting, communicating and supporting

SUSTAINABILITY. A wall that’s totally made of recycled and recyclable materials

ACOUSTICS. Excellent sound-insulation and sound-absorption performance

WELL-BEING. Ideal for controlling the microclimatic temperature and humidity conditions of the air SAFETY. Excellent results when it comes to the fire reaction and resistance classification

SAFETY. Excellent results when it comes to the fire reaction and resistance classification

“Metal architecture, like a quotation from Jean Prouvé’s creations. Rather than a partition, more like a true, uninterrupted building system where the joints are concealed behind the metal folds. Just like paper, its regularly perforated, lacquered and corrugated skin becomes a wall.” J. N.

from Dezeen

milan 2010

Birkolor in Milan 2010
by freshhome

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